Dramaturgy_
in movement

How can the movement created by a male choreographer and a female choreographer who compose in the distance have an impact of a performer’s body 11,000 km away? Can bodiless movements emigrate and immigrate? The Dance Section of the III International Dramaturgy Festival, under the motto “Emotional states,” invites a German female choreographer and a French male choreographer to compose a piece to be reinterpreted, in the distance, by a male choreographer and a female choreographer on the same stage in Buenos Aires.